By Jane Hampton Cook
Adapted from Key’s correspondence, the story behind the Star-Spangled Banner
The collapse of Baltimoreâs Francis Scott Key bridge has opened discussions about its namesake. Adapting original sources and letters, I wrote about Francis Scott Key and how he came to write âThe Star-Spangled Bannerâ in my book, The Burning of the White House: James and Dolley Madison and the War of 1812. At the end of this article, Iâve included a notation to give you the historical context surrounding the controversy over two lines in the third verse.
Editor’s note: This blog is published in short. Read the full blog here.
Francis Scott Key, a lawyer who seemed to ponder his place in this world and author of The Star-Spangled Banner, was not pro-war. He was pro-emancipation. Key is credited with writing the Star-Spangled Banner after the 25-hour bombardment of Fort McHenry, which he watched from a British ship with a spyglass.
A series of events led Key and Mr. Skinner to board the British admiralâs ship to secure Dr. Beanesâ release. As it turns out, Key was left out of the discussion that would result in Dr. Beanesâ release. History notes how well the American Army treated the British prisoners of war, and this was a key bargaining chip for Dr. Beanesâ freedom. Interestingly, Key was unimpressed with the British officers.
During the attack on Fort McHenry, Key anxiously waited.
“What colors would he see as he placed his eye behind the spyglass and pointed it toward the fort? He didnât know which was worse, beholding the British Union Jack flag above Fort McHenry or the white flag of surrender. Both would mean victory for the British and capitulation once again from his countrymen.
Suddenly he noticed it. Gone was the American battle flag measuring 17 by 24 feet that had flown over the fort. Instead, he saw the most beautiful colors cast against a canvas of a multi-hue sunrise. The stars and stripes, fifteen of them to represent that nationâs fifteen states that had grown to eighteen by this time, flapped briskly from the fort that morning. The sight could only mean one thing. The Americans still held Fort McHenry.
The flag that Key saw that morning measured 42 feet by 30 feet. It was the largest flag ever flown at a U.S. fort.
On that morning Key saw the larger flag, whose bright stars measured 24 inches from point to point. What he couldnât have heard that morning was the music at the fort. Because America lacked an official national anthem, the band played the popular Yankee Doodle.”
As he was set from the British ship and sailed back to land, ââŚhis emotion gave way to words, poetic words âŚâ
“Suddenly Fort McHenry didnât just represent Baltimore. It symbolized America, as did the 1,000 men who defended it. Suddenly the flag didnât just soar over Baltimore, it unfurled over the entire United States.”
The verses poured from Keyâs pen, including lesser-known flourishes that reflected faith:
“Whether the words flowed easily for Key that day or came to him in bits and pieces to organize into a poetic pattern, one thing is for sure. The result spoke of the emotion that he and so many other Americans felt to learn that they had indeed once again defeated the British.
After the darkness of the burning of the U.S. Capitol and the White House came the dawn brought by the soaring multitude of phoenixes that awakened and defended Baltimore. Hope was brighter than ever. Maybe, just maybe, the Royal Navy would soon abandon Americaâs shores.”
“Historical context behind the third verse: In recent years, Americans have questioned the meaning of Keyâs reference to slavery in the third verse: âNo refuge could save the hireling and slave, From the terror of flight, or the gloom of the grave.â
Most of Keyâs lyrics are universal, especially in the first verse. The relief of an American victory can apply to Fort McHenry in 1814 and many subsequent victories in American history. The third verse, however, requires historical context to understand what Key meant.
Just a few months before Key wrote these lyrics, the British military had issued a proclamation promising freedom to slaves who would run away. There was a catch, however. The male slaves had to first fight as soldiers in the British army before they could receive their freedom in Canada or the Caribbean.
Key did not think the British army was a suitable place of refuge for slaves or hired mercenaries. By fighting in the British army, they risked both the âterror of flightâ and the âgloom of the grave.â Hence, these lyrics are not Keyâs opinion justifying slavery but a reflection of the stakes of being forced to fight in the British army.
It also helps, too, to understand why America and Britain were at war in the first place. The primary moral issue behind the War of 1812 was impressment. British sea captains were kidnapping American sailors and âimpressingâ or forcing them to serve in the British Navy against their will.”
Jane Hampton Cook is a guest contributor to Homeschool Freedom Action Centerâs blogs.
Jane Hampton Cook is the author of 10 books, a frequent guest in the national news media, a screenwriter, a former White House staffer, and a former Womenâs Suffrage Centennial Commission Consultant.